Saturday, February 13, 2016

S K E T C H M O D E L S : R E F L E C T I O N


 Fig1.

Fig 2.


These sketch models, at the time were perfect examples of what I had visioned to achieve in the workplace with nature. Now,  having stepped away from them, like a huge step, and reread the feedback from the presentation I'm seeing possible issues but also new solutions.

FIG 1.  This prototypes was based on the research that our minds tend to pair things together and associate forms with other forms. Having research that showed allotments associated the allotment with escape and nature, I wondered could I develop from the idea of an 'escape' through essentially the association game. The deep sea is something that has always been portrayed as a place of great mystical animals like giant squids and maybe even mermaids. A fairytale escape. This sketch model hoped to function as a light/structural piece and contained foliage and plants that could hang from the ceiling. The form would in theory mirror the form of a jellyfish, hopefully making the viewer think of the deep sea and its mysterious creatures that dwell there.


REFLECTION: poor. So poor. I did not spend enough time on this whatsoever. I have to admit I think I subconsciously was afraid one sketch model was not enough and this idea together without much thought, hoping I could reinforce it with talk that somewhat related to my research. I like the idea, kind of, but I understand why my last presentation went so poorly. And once again I had verbally prepared myself . #FAILTOPREPARE.PREPARETOFAIL.

FIG 2. This sketch model was made from found materials. what was very silly of me though was to buy a topiary ball.... cut it up and reattach pieces of the topiary ball to a sponge football so I could throw it at people and others could hit and experience what I hope to achieve at a later date.

REFLECTION: Although the execution of the MOSS BALL was overthought, the idea is certainly my favourite so far alongside the library privacy walls with interactive nature dials. ( No sketch model for that) ** This was certainly my strongest concept at the presentation. It hit all the nails on the head regards the HOW MIGHT I statement for it. I wanted it to create a distraction along a route in the work environment, be durable enough that one could hit it giving a source of relief like say a boxing bag, and to also introduce nature in the work environment that didn't entail constant maintenance hence why I chose moss. What I had not considered though was possibility of moss scattering across the floor everytime someone hit it, and how the perception of these balls hanging from the ceileing in a large amount actually might freak some people out >>>  I say this after showing several people photos of vertical walls above entrances to buildings and quite a few saying it actually frightens them, the thought having to go under it and the chance of something falling out of the wall and on to their heads... is well scary....

Back to the drawing board I go, to continue sketching and modeling.


N O T E B O O K 2 3 / 1

   




Tuesday, February 09, 2016

I N S P I R A T I O N

Natural Light Design Studio - Istanbul, Turkey.

About The Concept
New York City's demand for fresh fruit and vegetables is increasing, as do most of the metropolitan areas in the world. Instead of importing goods from other states, which dramatically increases the prices because of transportation and logistics expenses, a more sustainable and practical solution is proposed. That is, using empty lots for better purposes, such as the vertical farming concept. This concept will obviously be more popular and broad in the future, especially in metropolitan areas in the world.
The site determined by AWR Competitions is currently being used a parking lot, adjacent to The High Line. Main entrance of the structure connects with The High Line by a bridge, and interior structure and design continues to carry chips and marks from The High Line and Manhattan's urban texture. To maximize the sustainability features, much of the materials on the outer side are recovered junk metal plates, railroad ties and solar panels.
On the farming floors, pivoted solar panels are used to let the sunlight in or block it to create suitable environment for different plant species. When faced towards sun, they create electricity, and when not, they block the sunlight and the heat. This also helps to the natural ventilation and cuts the expenses for HVAC units. On the rooftop, rain water is collected and used for watering of the plants below. With all these integrities, not only does the project offers local and organic farming to the habitants of the city -and the residents of the building itself-, but also a near-zero energy consumption and CO2 release.






Monday, February 08, 2016

T H O U G H T S

Mushing all my research together need to think about how it all translates into concepts...

How Might I,

What am I trying to do ( because ... research )




Powerscourt Townhouse grounds